Тренд «Wanna play a game?»ИИ-видео с вашим фото

Как это сделано

1. 1

   Ролик: Wan 3.0

   По образцам, 9:16, 720P, 15 сек · @image1: фото человека, @image2: одежда героини, @image3: товар

   1996 CINEMATIC MYSTERY COMMERCIAL – UNIVERSAL TEMPLATE One 15-second cinematic mystery commercial in the style of a 1996 American theatrical thriller. Eleven shots joined by clean hard cuts. Natural English dialogue, suspense sound design, two consistent characters, one bedroom. Duration: 15 seconds. Aspect ratio: 9:16 vertical. Motion: natural 24 fps cinema. Audio: synchronized English dialogue and atmospheric sound effects. REFERENCES @образец1 – THE WOMAN. Use her face, hairstyle, hair color, skin tone and identity. Do not use her clothing or background. @образец2 – THE WOMAN'S OUTFIT. Dress her in exactly these garments, fabrics, colors and accessories. Do not use this face or background. @образец3 – THE PRODUCT. Reproduce this exact item: shape, size, materials, colors, branding and lettering. Do not use its background. It is small enough to stand on a nightstand and stays recognizable in wide and close shots. The bedroom and the masked man come only from this text. THE BEDROOM – SAME IN EVERY SHOT An American suburban bedroom at night, cream walls, beige carpet. WINDOW: a wide white wooden multi-pane sash window on the back wall, three vertical sections, cream curtains, wooden blinds pulled up. The lower center sash slides up. Outside: a dark green lawn, shrubs, a white fence, a few distant warm garden lights. BED: cream white satin bedding and pillows. The bed stands in front of the window and runs left to right across the room. NIGHTSTAND: a white wooden nightstand at the RIGHT end of the bed, closer to the camera than the bed. It stands on the carpet inside the room, well in front of the window wall. On it: the product from @образец3 at the front edge with clear space around it, a white corded 1990s landline phone behind it, a cream-shaded lamp in the back corner. She reaches the phone easily from the bed. ORIENTATION INTERIOR CAMERA: inside the room, facing the window. It sees the woman's face, the nightstand with the product in the right foreground, the window behind her and the masked man in the window. EXTERIOR CAMERA: on the lawn, facing into the room through the window. It sees the man's back in the foreground and the woman from behind: the back of her head, her hair down her back, her shoulders. Her gaze: until 00:08.6 she sits with her back to the window and her face toward the room. Her eyes rest on the bedroom door, just off the left edge of the interior frame. She is absorbed in the call. At 00:08.6, after the full line "Look out the window", she turns toward the window. This is her only turn toward him. THE WOMAN The woman from @образец1 in the outfit from @образец2. Keep her makeup and hairstyle exactly as in @образец1, the same in every shot. In the first frame she is already awake, reclining on the pillows, her whole body naturally on the mattress. Emotional arc: relaxed, friendly, surprised, uncertain, startled, fleeing. Natural breathing, natural blinking, believable facial acting. THE MASKED MAN About 188 cm, slender. Long matte-black hooded theatrical robe, wide sleeves, black fabric gloves, dark boots. Smooth ivory expressionless mask with long dark eye openings, a sculpted nose bridge and a vertical oval mouth opening, framed by the deep black hood. He holds one white cordless phone in his LEFT hand against the left side of the mask. Slow, measured, deliberate movement. Voice deep, quiet, monotone, lightly phone-filtered. He lowers the phone only after her startled reaction. STYLE Late-1990s American mystery-thriller cinema. 35mm motion-picture look, Kodak 500T-style photochemical color, vintage spherical lenses, natural 24 fps motion blur, fine organic grain, soft highlight halation, smooth photochemical contrast. One restored 1996 theatrical print. Interior: warm tungsten amber, peach skin tones, her outfit from @образец2 against cream white bedding, cream highlights, practical lamp light. Exterior: cold blue-green night, dark foliage, pale moonlight, window reflections, small warm garden lights. Same grain, grade, light direction and shadows in every shot. Product colors stay exactly as in @образец3. Camera: stable wide compositions, natural medium shots, restrained close-ups, one exterior over-the-shoulder, one vintage optical zoom, clean hard cuts. DIALOGUE – each line once, by its speaker, in this order GIRL: "Hello?" MAN: "Hello..." MAN: "Wanna play a game?" GIRL: "What?" GIRL: "Who is this?" MAN: "Look out the window." GIRL: "Ah!" – one brief startled gasp. TIMELINE SHOT 01 | 00:00.0–00:01.0 | INTERIOR WIDE, static Camera inside the room facing the window. She reclines awake on the bed, facing the camera, the window behind her. The yard is empty. Right foreground: the nightstand fully in frame, the product and the landline clearly visible. 00:00.0 the landline rings. 00:00.1–00:00.7 she lifts the receiver from its base in one quick motion. 00:00.7–00:01.0 she brings it to her ear and starts to sit up, facing the camera. HARD CUT. SHOT 02 | 00:01.0–00:01.8 | INTERIOR MEDIUM She sits with the receiver at her ear, facing the camera, back to the window, eyes on the door. 00:01.0 she smiles. GIRL: "Hello?" As she speaks, the masked man walks into the yard from the left edge of the window and stops at the center pane, phone against his mask. HARD CUT. SHOT 03 | 00:01.8–00:03.9 | EXTERIOR OVER-THE-SHOULDER Camera on the lawn behind the man's LEFT shoulder, looking into the lit bedroom. Foreground: his hood, left shoulder and the white phone at his mask. Through the glass: the woman on the bed from behind. The back of her head, her hair down her back, her shoulders, the receiver at her ear. She faces deeper into the room. Her face is hidden by her head and hair. 00:01.9 MAN: "Hello..." Brief pause. 00:02.6 MAN: "Wanna play a game?" He stands nearly motionless. HARD CUT. SHOT 04 | 00:03.9–00:05.4 | INTERIOR MEDIUM Right foreground: the nightstand with the product, sharp and fully visible. Midground: the woman facing the camera, receiver at her ear, eyes on the door. Background: the masked man in the window behind her. 00:04.0 GIRL: "What?" Short confused pause. 00:04.7 GIRL: "Who is this?" Her face stays clearly visible. She finishes the line before the cut. HARD CUT. SHOT 05 | 00:05.4–00:06.3 | EXTERIOR FRONTAL CLOSE-UP The mask and hood fill the frame, the white phone at the left side of the mask. He looks into the room at the product on the nightstand and tilts his head about 30 degrees sideways. Holds the tilt. No dialogue. HARD CUT. SHOT 06 | 00:06.3–00:07.5 | INTERIOR PRODUCT CLOSE-UP The product on the nightstand. 00:06.3–00:06.9 fast vintage optical zoom toward it. 00:06.9–00:07.5 hold a sharp product close-up: exact shape, branding, materials, proportions. Behind it, the woman is a soft blur deeper in the room, facing the camera side. HARD CUT. SHOT 07 | 00:07.5–00:08.6 | INTERIOR WIDE – same framing as Shot 01 Right foreground: the nightstand with the product and the landline. The woman faces the camera, back to the window, eyes on the door. The man stands in the window behind her, phone at his mask. 00:07.6 MAN, calm, low monotone: "Look out the window." She keeps her eyes on the door through the whole sentence. HARD CUT. SHOT 08 | 00:08.6–00:10.7 | INTERIOR MEDIUM-WIDE 00:08.6–00:09.0 she turns her head and upper body toward the window behind her. 00:09.0–00:09.3 she sees the masked man. A clear, readable look of surprise. 00:09.3 GIRL: "Ah!" – one brief gasp. 00:09.4–00:09.8 the receiver drops from her hand. 00:09.8–00:10.4 she jumps up and runs toward the camera, leaving the frame to the side. Behind her, the man lowers his phone and steps toward the window. HARD CUT. SHOT 09 | 00:10.7–00:11.8 | INTERIOR, facing the window The man slides the lower sash up and carefully steps through into the room. The robe moves with real weight. Window creak. HARD CUT. SHOT 10 | 00:11.8–00:13.0 | INTERIOR PRODUCT MACRO The same nightstand at the right end of the bed. The product stands on it, clearly visible. A black-gloved hand enters, grips it at its natural handling point and lifts it with real weight. The empty surface remains. HARD CUT. SHOT 11 | 00:13.0–00:15.0 | INTERIOR CENTERED – PRODUCT PRESENTATION The man stands inside the bedroom facing the camera, holding the product in both hands in front of his torso, its key details toward the camera. Warm tungsten light on the product, cold window light rims his robe and mask. 00:13.0–00:14.0 hold the presentation. 00:14.0–00:14.3 he turns his head toward the window. 00:14.3–00:15.0 he turns and walks back toward the window with the product. End on this movement. SOUND Vintage landline ring at 00:00.0. Quiet night ambience, faint phone static, low suspense drone, sparse tension accents. One short accent on the zoom in Shot 06. One sharp sting at her discovery at 00:09.0. Footsteps, fabric movement, window creak. CONTINUITY LOCKS Exactly two people: the woman and the masked man. Exactly one product, from @образец3. It stands on the nightstand in every shot until the gloved hand lifts it in Shot 10. Same design, size and position every time. The nightstand stays at the right end of the bed, inside the room, fully in frame whenever shown. Before 00:08.6 her face points into the room and her eyes rest on the door. From the exterior camera only the back of her head and her hair are visible. His phone stays in his LEFT hand. Same face, outfit, room, light and film grade in every shot. EXCLUSIONS No turning toward the window, no glance over the shoulder and no profile toward the window before 00:08.6. No product disappearing, moving or duplicating before Shot 10. No nightstand under the window or outdoors. No additional characters, no weapons, no physical confrontation, no music track, no narration, no subtitles, no on-screen text, no fade to black, no end card.

   Скопировать